The lineup spread across the soundtrack for Hustle & Flow cannot be denied. T.I., Juvenile, 8 Ball, and MJG, E-40, Trillville, Boyz N da Hood, Mike Jones, and several others make this a timely and fitting companion to the film. More importantly, in keeping the connection between film and soundtrack as tight as possible, a couple tracks performed by actor Terrence Howard -- as Hustle and Flow protagonist DJay, a pimp turned MC -- are included, along with a handful of dialogue bits. Al Kapone, a Memphis-based rapper asked by director Craig Brewer to write DJay's rhymes, also appears, only adding to the authenticity. While the soundtrack complements the film, most of the tracks provided by the big guns aren't top-level. That doesn't mean that the disc is useless for those who don't see the film (altogether, the tracks are more memorable than the average cuts granted to a soundtrack), but it's more New Jersey Drive or Bad Boys II than Juice or Above the Rim. ~ Andy Kellman, All Music Guide
Hustle and Flow
07/12/2005 | Atlantic / Wea
All Music Guide Review
Track Listing
Credits
- Niko Lyras
- Producer, Engineer
- Keith Mack
- Producer
- Ray Seay
- Mixing
- Paul Stewart
- Music Supervisor
- Jonathan Lewis
- Producer
- Al Kapone
- Vocals, Producer
- Stefanie Bolton
- Vocals
- Craig Love
- Guitar
- Jonathon "Lil' Jon" Smith
- Producer, Mixing, Project Coordinator, Music Coordinator
- Josh Butler
- Mixing
- Taj "Mahal" Tilghman
- Engineer
- DJ Paul
- Producer, Mixing, Engineer
- Anthony Dent
- Programming, Producer, Engineer, Instrumentation
- Kevin Liles
- Executive Producer
- Scott Bomar
- Score
- John Singleton
- Executive Producer
- Mr. Leslie Braithwaite
- Mixing
- Brian "Big Bass" Gardener
- Mastering
- Jeremy Allen
- Producer
- Jay Kadis
- Producer
- Mark Vinten
- Engineer
- Chris Carmouche
- Engineer
- Warren Bletcher
- Assistant
- Ryan Leslie
- Producer
- Jason Geter
- Producer, Executive Producer, Assistant, A&R
- James Lopez
- Product Manager
- Harry Koniditsiotis
- Assistant Engineer
- Dave Junco
- Engineer, Mixing
- Glen Markezi
- Mixing
- Kori Anders
- Assistant
- Gary Fly
- Assistant
- Vince Phillips
- Music Coordinator, Project Coordinator
- Salih Williams
- Producer
- Horace "Bubba" Mitchell
- Engineer
- Victor Abijaudi
- Engineer
- Dionnee Harper
- Product Manager
- Taraji P. Henson
- Vocals
- Terrence Howard
- Vocals
- Pooh Bear
- Vocals (Background)
- Sinasta
- Producer
- Slicse T
- Mixing
- Tydial
- Vocals
- Young AJ
- Vocals
- Dada
- Producer
- J. Allen
- Producer
- Christopher Dennis
- Vocals
- Dr. Jam
- Producer
- Mike Foster
- Engineer, Mixing
- John Frye
- Mixing
- Rich Keller
- Mixing
- Elliott Carter
- Engineer
- Wingy Manone
- Mastering
Notes
Tracklist:
"I'm A King (The Remix)," P$C featuring T.I. & Lil Scrappy
"Swerve," Lil' Boosie & Webbie
"It's Hard Out Here for a Pimp," Terrence Howard (DJay) featuring Taraji P. Henson (Shug)
"Tell Me Why," 8Ball & MJG
"P***y N***az," E-40 featuring BoHagon & Lil Scrappy
"Whoop That Trick," Terrence Howard (DJay)
"Man Up," Trillville
"Carbon 15's, A.K.'s & Mac 11's," Boyz N Da Hood
"Lil' Daddy," Chopper
"Let's Get a Room," Nasty Nardo
"Booty Language" Juvenile featuring Skip & Wacko
"Bad B*tch Remix," Webbie featuring Trina
"Hustle and Flow (It Ain't Ovah)," Terrence Howard (DJay)
"Still Tippin' (It's a Man's World Remix)," Mike Jones featuring Nicole Wray
"Murder Game," P$C
"Get Crunk, Get Buck," Al Kapone
DJay was a streetwise Memphis hustler trying to find his voice and realize his long-buried dreams. Though DJay had always had a way with words, that gift had long been misused; this philosopher-hustler lived a dead-end life at the fringes of society. Anything more felt out of reach. Still, DJay wondered what happened to all the big dreams he had for his life. A chance encounter with an old friend, Key, a sound engineer who had always wanted to make it in the music business, spurred DJay: if he was ever going to make his mark, it has to happen now. He began to write down his freestyle raps – his flow – and the two teamed up with Shelby, a church musician with a beat machine, to lay down bass-thumping crunk tracks.










